Just one single shot
What would Fellini like to have done with a movie?
“I would like to get once and for all at the essence of cinema and the complete movie, as I think of it. Which means transforming the film into a painting.
“If you stand in front of a painting, you have all of it, uninterrupted. You don’t have that with a movie. Everything can be contained in a painting – you just have to look at it in order to find it, whereas a movie is an incomplete painting.
“The spectator doesn’t watch it; the movie forces itself on the spectator, dictating a pacing and rhythm that isn’t personal, that’s imposed.
“The goal would be to make a movie that is just a single shot, one image that would be eternally fixed and constantly rich with movement.”
