Never miss a new book by Stefano Boscutti.
After something happens on the page, after something shifts the air, don’t rush past it. Pause. Take a beat. Let your POV character register it. Not just cognitively, but viscerally. What lands? What lingers? What does it remind them of, whether they want it to or not? Interiority doesn’
The trouble with power is not that it corrupts, but that it clarifies. In “The Wizard of the Kremlin,” Giuliano da Empoli offers not a portrait of Russia, but a field guide to the management of collapse. How to choreograph disorder until it begins to look like destiny. Vadim Baranov,
Structure gives you a functioning scene. Values give it consequence. But neither guarantees the only thing the reader actually cares about - feeling something. Without that, the rest is irrelevant. The reader disengages. Not because the writing is wrong, but because it’s empty. According to Tim Grahl, emotionality is what
Story doesn’t just move. It moves along an axis of value. Something shifts from one state to another. Better to worse. Worse to better. Known to unknown. Tim Grahl reminds us that a love story isn’t built on love alone, an action story isn’t sustained by life-
Stories are about change. Without change, there’s no story. Yes, this applies to the story overall. But also to every scene that hinges together to make the story. Tim Grahl says it’s critical to get the foundational building blocks of a scene down on the page that ensure